Wednesday, 6 August 2008
Blur
Artist: Blur
Genre(s):
Rock
Pop: Pop-Rock
Other
Rock: Pop-Rock
ROck: Alternative
Pop
Rock
Pop: Pop-Rock
Other
Rock: Pop-Rock
ROck: Alternative
Pop
Discography:
Think Tank
Year: 2003
Tracks: 14
Crazy Beat
Year: 2003
Tracks: 3
The Best Of Cd2
Year: 2000
Tracks: 10
The Best Of Cd1
Year: 2000
Tracks: 13
Tender
Year: 1999
Tracks: 5
No Distance Left To Run Pt. 1
Year: 1999
Tracks: 2
Coffee and TV
Year: 1999
Tracks: 5
13
Year: 1999
Tracks: 13
On Your Own
Year: 1997
Tracks: 7
Blur (single)
Year: 1997
Tracks: 1
Blur
Year: 1997
Tracks: 14
Beetlebum
Year: 1997
Tracks: 6
End Of A Century
Year: 1996
Tracks: 3
The Universal
Year: 1995
Tracks: 8
The Great Escape
Year: 1995
Tracks: 15
Country House [CD2]
Year: 1995
Tracks: 4
Country House [CD1]
Year: 1995
Tracks: 3
To The End
Year: 1994
Tracks: 5
Parklife
Year: 1994
Tracks: 16
Girls and Boys
Year: 1994
Tracks: 5
Modern Life Rubbish
Year: 1993
Tracks: 14
Modern Life Is Rubbish
Year: 1993
Tracks: 15
For Tomorrow
Year: 1993
Tracks: 9
Chemical World
Year: 1993
Tracks: 9
Popscene
Year: 1992
Tracks: 5
Theres No Other Way
Year: 1991
Tracks: 8
Leisure
Year: 1991
Tracks: 12
Bang
Year: 1991
Tracks: 6
Stereotypes
Year:
Tracks: 4
Song 2
Year:
Tracks: 5
She's So High
Year:
Tracks: 5
Parklife (special)
Year:
Tracks: 5
Out of Time
Year:
Tracks: 3
No Distance Left To Run
Year:
Tracks: 5
Music is My Radar
Year:
Tracks: 5
M.O.R
Year:
Tracks: 4
Good Song
Year:
Tracks: 3
Country House
Year:
Tracks: 7
Charmless Man
Year:
Tracks: 4
Initially, Blur was one of the throng of British bands wHO appeared in the wake of the Stone Roses, excavation the same swirling, pseudo-psychedelic guitar pop, only with louder guitars. Following an ikon makeover in the mid-'90s, the mathematical group emerged as the most popular dance orchestra in the U.K., establishing themselves as inheritor to the English guitar pop tradition of the Kinks, the Small Faces, the Who, the Jam, Madness, and the Smiths. In the process, the radical skint down the doors for a fresh times of guitar bands wHO became tagged as Brit-pop. With Damon Albarn's wry lyrics and the group's mastery of British pop tradition, Blur was the leader of Brit-pop, solely they cursorily became confined by the move; since they were its biggest band, they intimately died when the move itself died. Through some reinvention, Blur rescued their position as an artistic production pop band in the late '90s by incorporating indie stagger and lo-fi influences, which ultimately gave them their elusive American success in 1997. But the band's bequest remained in Britain, where they helped regenerate guitar pop by skillfully updating the country's evamped healthy earned them an audience in the U.S., where Dim standard strong reviews and became a lead strike, thanks for the most part to the popularity of the unmarried "Song 2." The success in America finally seeped all all over to Britain, and by the bound, the record album had bounced back up the charts. 13 followed in 1999.
Michael Sandler and Musir Von Vidalia